SPRING 2027 · Production Lab

Start With
an Idea.
End With an Audience.

Make A Movie TOGETHER In 8 Weeks!

Develop it. Write it. Shoot it. Shape the edit. Then watch it with its first audience.

When
March 9–April 27, 2027
8 Tuesdays · 2:45–5:00 PM

Additional Dates

  • Pre-Production
    • Wed 3/31 · 3–5 PM
    • Thu 4/1 · 3–5 PM
  • Production Day
    • Sat 4/3 · 9 AM–5 PM
Who
Ages 15+
Max 20 Students
Where
Fairfield County, CT
Location Coming Soon
SAVE $200
Register by Feb 21, 2027

Presented by

CT Story Labs — A #FareLife Training Initiative
Two young filmmakers on set — one operating a cinema camera on a tripod while an actor performs a scene
Only 20 crew spots

This Is the Whole Filmmaking Journey

You Don’t Just Learn the Stages.
You Live Through All of Them.

Phase 1 · Make the Film
01Idea
→
02Script
→
03Pre-Pro
→
04Shoot
Phase 2 · Share the Film
05Edit
→
06Test Screening
→
07Distribution
→
08Growing Audience

Every decision has to survive the next stage.

A student holding a slate on set while a camera operator lines up the shot during a CT Story Labs production
On set together — slate up, camera rolling, the whole crew living every stage of the film.

Five Phases. One Film. A Real Release.

The Journey, Phase by Phase.

This isn’t a syllabus of isolated lessons. It’s one continuous build — five cinematic phases carrying a single movie from a blank page, onto a real set, and out to a live audience.

Phase 1 · Develop ItWeeks 1–2

Develop It

The crew generates the concept, sets the scope and story engine, decides creative roles, and writes the first draft — knowing from day one that they’ll have to shoot what they write.

The script isn’t a theory exercise. It’s the movie you’re about to make.
Phase 2 · Prep ItWeeks 3–4 + Pre-Pro

Prep It

Lock the script, work through casting and locations, set the visual approach, build shot lists and floorplans, plan props and wardrobe, schedule the shoot, and assign crew roles — including the required March 31 & April 1 pre-production meetings.

Planning stops being homework when the cameras are about to roll.
Phase 3 · Shoot ItSaturday, April 3

Shoot It

Four weeks of development and prep now meet an actual set. The Full Production Day — see below — is where everything the crew planned has to work for real.

Then the cameras roll. ↓
Phase 4 · Build ItWeeks 5–8

Build It

Post-production — shaping the film the crew actually captured. This is editing for story, not software training. Tyler drives the system while students make the creative calls: assembly, rough cut, fine cut, pacing, sound, score, color direction, titles, and final polish.

The edit is where you discover what movie you actually made.
Phase 5 · Market & Distribute It6–9 Month Run

SHARE IT w/ The WORLd

After the Lab, CT Story Labs continues refining the film. The finished film then screens multiple times through our library and community screening circuit alongside our professional indie web series #FareLife. Students stay connected through Discord for screening news, audience response, release updates, and opportunities to help promote the movie they made.

A finished film deserves an audience — so we go find one.

The Script Isn’t an Exercise

What You Write,
You Have to Shoot.

Write a UNIQUE location?
You’ll have to INNOVATE it.
Plan an ambitious shot?
You’ll GET to execute it.
Miss the coverage you need?
You’ll PIVOT in the edit.
Think the movie is finished?
Wait until an audience sees it.
A CT Story Labs crew member watching a take on the monitor as a slate marks the shot
What the crew wrote and planned, now rolling on set — slate in, take up, watching it come to life.

That is what makes this Lab different. Each stage teaches the next because the decisions are real and the movie keeps moving forward.

The Production Day Explained

Then the
Cameras Roll.

Saturday, April 3 · 9:00 AM–5:00 PM

This is the crown jewel: the day everything from Weeks 1–4 becomes real. Four weeks of story, revision, planning, shot lists, locations, scheduling, and creative decisions all lead here. This is the day nobody wants to miss.

DirectingCameraLightingSoundProduction DesignPerformance

Professional equipment, filmmaking instructors, and a professional DP are on set. The students have a movie to make.

Students may perform in the film as part of making it — but this is a filmmaking program, not an acting program.

Week 8 · The First Audience

Then We Put It
in Front of People.

In Week 8, invited guests become the film's first audience, a focus group premiere. Students get to watch what happens when choices that made sense in the writing room, on set, and in the edit finally meet real human beings.

  • Watch It LandWhere do people laugh, lean in, get confused, or lose attention?
  • Hear the ResponseDiscover how the movie communicates outside the editing room.
  • Integrate the FeedbackUse audience response to inform the film's final refinement.

Note for Parents / Guardians:Parents, friends & family are warmly encouraged to attend the Week 8 focus group premiere and be part of the film's first audience.

A CT Story Labs instructor showing a student how to hold a boom microphone on set
On set — students run real production roles, from boom to camera.

The Lab Ends. The Movie Doesn’t.

The Classroom Ends. The Movie Keeps Moving.

After Week 8, CT Story Labs continues finishing and sharing the film while students stay connected through Discord to see where their work goes next.

  • FINAL REFINEMENT
  • LIBRARY + COMMUNITY SCREENINGS
  • AUDIENCE REACTIONS
  • RELEASE UPDATES
  • ONGOING CREATIVE COMMUNITY
A director's monitor showing a scene being filmed while the crew works behind it
Watching the take come together on the monitor — the moment the film meets its first eyes.

One crew. One film. A story that keeps going.

Students Make the Creative Decisions

The Crew Makes the Movie.

Working filmmakers guide the process. Students make the creative calls.

Develop the StoryWrite & RevisePlan the ShotsDirect the ScenesShoot the FilmShape the EditTest It With an Audience
A CT Story Labs crew gathered around the camera on set, watching a shot with an instructor
One crew, one shot at a time — students and instructors working the set together.

Beginners Belong Here Too

Never Made a Whole Film Before?
That’s the Point.

No previous filmmaking experience is required. You'll learn by making the film with working filmmakers beside you. Already have experience? Good. The Lab gives you bigger creative problems to solve.

Ages 15+All Skill LevelsProfessional GuidanceReal Responsibility

Meet the Filmmakers

Working Filmmakers, On the Crew With You.

Brian Hogan, Lead Instructor and Writer-Director

Brian HOGAN

Lead Instructor | Writer-Director

Writer and director whose work spans scripted and commercial media. Brian leads story, directing, and the creative through-line of the film — helping the crew shape an idea into a movie and guiding the shoot.

Allie O'Brien, Producer and Instructor

Allie O’BRIEN

Producer | Instructor

Producer and educator with years of experience teaching advanced storytelling at the college level. Allie runs producing and pre-production — scheduling, logistics, and the planning that makes Production Day work — and keeps the crew organized and generous.

Tyler Stirling, Director, Editor and Post-Production Lead

Tyler STIRLING

Director | Editor | Post-Production Lead

Award-winning director and editor and a guest lecturer at Sacred Heart University. Tyler leads post-production and drives the editing system while students make the creative calls — teaching editing for story, not software minutiae.

Plus a professional DP on set. A professional Director of Photography will join the crew for Production Day to help the students capture the film.

Why Only 20 Students?

20

One Crew. Not a Crowd.

Enrollment is capped at 20 by design, not for scarcity. A whole film — development, pre-production, production, and post — only works when every student has room to speak, pitch, make decisions, take responsibility, work with the equipment, contribute to the edit, and become a known member of the crew.

What’s Included

One Tuition. The Whole Production.

  • 8 Weeks of Immersive Filmmaking
  • Two Additional Pre-Production Sessions
  • Full 8-Hour Production Day
  • All Professional Filmmaking Equipment
  • Professional Instructors + DP On Set
  • Hands-On Development, Production & Editing
  • Focus-Group Screening With a Real Audience
  • Professionally Finished Original Short Film
  • Ongoing CT Story Labs Creative Community + Screening Opportunities

One crew. One original film. The whole filmmaking journey — from first idea to first audience.

Student & Parent Voices

Treated Like Filmmakers. Trusted Like a Crew.

Real voices from the CT Story Labs community.

“CT Story Labs gave me the opportunity to work with a team. If you want to get that experience, go for it and don’t be scared — because everyone is kind, and it’s going to be okay.”

Rithza S, CT Story Labs studentAva GHigh School Senior

“CT Story Labs really helped me work with a team. Definitely more confident. Definitely do it — it’s worth it. Just be confident enough to make friends when you get there, because it makes it so much better.”

Michaela C, CT Story Labs studentMichaela CHigh school junior

“I realized you don’t need to be a genius to make something great. It’s a lot more collaborative than I thought — and that’s what made it fun.”

Carlos A, CT Story Labs studentCarlos Ahigh school junior

For Parents

For Parents, the Short Version.

  • One Original Film From Idea to Audience
  • Small 20-Student Crew
  • Professional Filmmaker Guidance
  • Full Production Day + Professional Equipment
  • Structured Deadlines + Real Creative Responsibility
  • Professionally Finished Film
  • All Skill Levels Welcome
  • Ongoing Community + Screenings
A CT Story Labs instructor teaching story structure — investment, curiosity, and conflict — to the crew

Tuition & Reserve Your Spot

Reserve Your Production Lab Spot.

Early Registrant Price$997 $1,197Enroll by Feb 21, 2027 — tuition goes up to $1,197 after.Max 20 students · March 9–April 27 · Tuesdays 2:45–5:00 PM

Additional Dates

  • Pre-Production: Mar 31 · 3:00–5:00 PM
  • Pre-Production: Apr 1 · 3:00–5:00 PM
  • Production Day: Sat, Apr 3 · 9:00 AM–5:00 PM

Fairfield County, CT · Location Coming Soon

Claim one of 20 crew spots and spend eight weeks taking an original film all the way from first idea to first audience. Fill out the quick registration below, then continue to secure checkout — with your details already filled in.

We’ll email you registration details for the Production Lab. No spam — unsubscribe anytime.

Questions & Answers

Good Questions, Straight Answers.

My teen has never made a film — will they be lost or left behind?

No. Beginners and experienced students work side by side on the same crew, and the whole point is learning by doing with professional filmmakers guiding every step. Nobody is expected to arrive knowing how a set runs — that’s what the eight weeks are for.

What if my teen is shy or doesn’t know anyone in the Lab?

A film crew runs on many different roles — writing, camera, sound, editing, directing — so there’s a real place for quieter students, not just the loudest. Because everyone works toward one shared film, your teen has a clear way to contribute and connect from day one.

Is this actually rigorous, or just a hangout?

It’s real production work on a real deadline. Students develop and write an original film, prep it, shoot it on a full Production Day with a professional DP, and shape the edit. There’s a finished movie and a live audience at the end — the structure holds them to it.

How much of the schedule is truly required?

The eight Tuesday sessions build on each other, and three dates are essential milestones: Pre-Production on March 31 & April 1, and Production Day on Saturday, April 3 (9:00 AM–5:00 PM). Missing those means missing the shoot itself, so please check those dates before you reserve.

How are students supervised on set?

Working filmmakers and educators lead every session, and a professional director of photography runs Production Day alongside them. Adults are present and in charge throughout — keeping the set focused, safe, and respectful while students do the creative work.

What happens after the film is finished?

CT Story Labs handles final refinement while students stay connected through Discord for audience responses, screening news, and future release milestones — so the experience, and their credit on a real film, keeps going after Week 8.

What if I have additional questions?

Feel free to reach out to hello@CTStoryLabs.com and a member of our team will be happy to help. We look forward to collaborating.

Your Spot on the Crew Is Waiting

It was Just An IDeA. Now People ARE WATCHING it.

The idea became a script. Now it’s call time on Production Day — camera set, sound rolling, a crew of people who’ve spent weeks building this moment, and a professional DP beside you. Someone calls “action,” and the film you all dreamed up becomes real. Not a class, a real production. And there’s a spot on the crew with your name on it. Only 20 spots. When they’re gone, they’re gone.

$997$1,197Enroll by Feb 21, 2027 — then $1,197
Mar 9–Apr 278 Tuesdays2:45–5:00 PMOnly 20 spots
Reserve Your Production Lab Spot